Sat Feb 17 - Alice Giles
"The most intelligent, sensitive and technically accomplished harpist I have ever met." Luciano Berio
Alice Giles has been celebrated as one of the world’s leading harp soloists. The Australian-born musician first attracted international notice when she won First Prize in the 8th Israel International Harp Contest at the age of 21. Since then she has performed extensively internationally both in recital and with orchestra. She presented her first solo recital at the age of 13 at the Sydney Conservatorium of Music, was awarded the coveted Churchill International Fellowship and an Australia Council Grant to study in the USA and made her New York debut recital at Merkin Hall in 1983.
Regarded by Luciano Berio as the foremost interpreter of his Sequenza II, she has taken part in tributes to Berio at the Queen Elizabeth Hall London, Salzburg Mozarteum, and at the 92nd Street Y in New York to honour his 70th birthday. She has given many premiere performances for her instrument, has commissioned a complete program of works for the electro-acoustic harp, and is Director of the Seven Harp Ensemble (SHE), which has commissioned many new works by Australian composers.
As a recipient of an Australian Antarctic Arts Fellowship, she performed a solo concert at Mawson Station in 2011 commemorating the Centenary of the first Australasian Antarctic Expedition.
She was invited by Rudolf Serkin to participate for three summers in the Marlboro Music Festival in Vermont, USA, and has been a guest artist at numerous festivals including the Schleswig-Holstein and Insel Hombroich Festivals in Germany, Bath Mozartfest, Scotia Festival, Salzedo Centennial in Austin Texas, World Harp Congresses in Copenhagen and Vancouver, World Harp Festival Cardiff, Edinburgh Harp Festival, Adelaide Festival, Sydney Festival, Australian Festival of Chamber Music, Barossa, Coriole, Huntington and UKARIA Festivals.
Concert highlights include solo recitals in London’s Wigmore Hall, New York’s 92nd Street Y, Merkin Hall NY, Frankfurt Alte Oper, Gulbenkian Foundation Lisbon, and concertos with the Israel Philharmonic Orchestra, Collegium Musicum Zürich, Badische Staatskapelle Karlsruhe, English Symphony Orchestra, Mainzer Kammerorchester, Danish Radio Concert Orchestra, Hamburg Mozart Orchestra, Ohio Chamber Orchestra, Lincoln Symphony Orchestra, Taiwan Symphony Orchestra, Israel Chamber Orchestra and regularly with all the major Australian Symphony and Chamber orchestras. She continues to tour annually in the USA, Europe and Asia.
Alice Giles has an impressive international reputation as a teacher, having given master classes in the Salzburg Mozarteum, The Hague Conservatorium, Royal Academy London, Cleveland Institute, Juilliard School, Curtis Institute, San Francisco Conservatory, Conservatorio G. Verdi Milano, Parma Conservatorio, Glenn Gould School Toronto, Detmold Hochschule, R. Schumann Hochschule, Norwegian Academy of Music, the International Youth Festival in Bayreuth, an annual Summer Course in Alf/Mosel, Germany 1989-1998, and currently teaches at the Sydney Conservatorium of Music. Her annual Summer Course is held in Kioloa on the NSW South Coast.
She was the Chair and the Artistic Director of the 2014 World Harp Congress in Sydney in July 2014 and is founder and director of the Harp Centre Australia, a non-profit organization dedicated to promoting the harp in Australia. She was on the jury for both the 1998 and 2009 International Harp Contests in Israel, the 2004 USA International Harp Competition, 2007 V. Salvi European Harp Competition Cardiff and the IX Concourso Nationale d’Arpa ‘Victor Salvi’. Her two main teachers were June Loney (Sydney Symphony Orchestra) and Alice Chalifoux (Cleveland Orchestra), also studying with Lydia Shaxson and Judith Liber.
Her discography includes several solo harp discs, a concerto disc with the Adelaide Symphony Orchestra, conductor David Porcelijn, and many chamber music discs including with Duo Corda (Arnan Wiesel, piano), the Budapest Brass Quintet, Seven Harp Ensemble and Geoffrey Collins (flute), for the Tall Poppies, Musikado (Germany), ABC Classics, CDI (Israel), and Marlboro Recording Society labels.
She was awarded an AM (Member of the Order of Australia) in the 2017 Queen’s Birthday Honours for “significant service to the performing arts as a harpist, mentor and educator, and through contributions to Australia’s musical landscape.”
Alice lives on a rural property near Yass NSW, with her pianist husband Arnan Wiesel and their two daughters Lara and Selena. Here she seeks a balanced life and enjoys the peace, beauty and space nature provides. www.alicegiles.com
Sat Aug 18 - Rachel Scott studied with David Pereira in Canberra and Robert Cohen in London. She has played as a soloist and chamber musician in the United Kingdom, Serbia, Albania, Finland, Hungary and Germany. Rachel is the founder of the highly successful and innovative ‘Bach in the Dark’ concert series, through which she presents regular concerts with some of Australia’s best chamber musicians, actors and visual artists.
Rachel’s role as education manager for the Australian Children’s Music Foundation (ACMF) means that she continues to provide underprivileged children with ongoing access to a quality music experience in the classroom, often training teachers as well. She also works closely with the Australian Chamber Orchestra (ACO), facilitating interactive concerts and workshops throughout Australia that bring together children and orchestral musicians. Rachel has also spent considerable time in East Timor as part of Mary McKillop International for whom she trained music teachers with the goal of independent delivery of music in primary schools in Dili and throughout Timor. Rachel is now resident in Sydney and is in constant demand as a chamber music coach.
In late 1997 David Pereira was awarded the Sounds Australian Award for the Best Performance of an ustralian Composition in the ACT (Carl Vine’s Inner World). In 1998 he was awarded the Sounds Australian National Award for the Best Performance of an Australian Composition for his recording of the Lumsdaine Garden of Earthly Delights (TP113). This recording also won him his second ABC Award for the Best Australian Recording (1998). In 2010 David received the CityNews Artist of the Year Award, having been selected by The Canberra Critics’ Circle – ‘for making his mark on music in Canberra and the immediate region with his cello-focused David Pereira Cello Series, which demonstrated his ability to interpret different compositional styles; and for his encouragement of young associate artists which stamps him as an outstanding figure in the Canberra arts scene.’
High praise has been awarded to David’s recordings. The Wild Russians, with Lisa Moore, piano, on Tall Poppies (TP018), received the inaugural ABC Award for the Best Australian Recording in 1993. His first CD of solo Australian cello music was released in July 1996 Cello Dreaming (TP075). In October 1996 his recording of Carl Vine’s Inner World for Cello and Sampled Cello was released as the first Australian art music CD single (TP101). In 2001 two further CDs of Australian cello music were released by Tall Poppies: the Complete Works for Cello by Peter Sculthorpe (TP136) and a collection of solo works in Uluru (TP096). His recording with Ian Munro of the Complete Works for Cello by the Finnish composer Rautavaara (TP156) was released in 2002. In early 2000 Tall Poppies released his recording of the complete Bach Solo Suites (TP144). In 2005 Electric Cello (TP180) was released, containing Australian works for cello with tape or delay, and in 2012 Blue Silence (TP222) with Timothy Young on piano.
Early in 2016 David’s playing in Rachel Scott’s Bach in the Dark concert series resulted in the stunning Dreaming with Daisy CD of two cello pieces including two of David's own composition. David’s activity as composer and improviser has been intensifying steadily over the last decade – built on decades of private practice. Now there is available sheet music for a selection of works for one or more cellos, for cello and piano, for cello with string or symphony orchestra, and for cello in various chamber ensembles. Live performance and studio recordings of performances for all of these works are gradually being made available online.
David has published three books on cello playing and pedagogy and a volume of original cello studies. The latest (2008) is The Larrikin Cellist – 68 ideas on freedom and control for the extraordinary cello student. These all are out-of-print.